About
I grew up in Hong Kong and went to HKIS before Stanford. Outside of engineering, the two things I've spent the most time on are sailing and clay.
Sailing
I started at ten in an Optimist, the little single-handed boat most kids learn in. A few years later my sister Chloe and I moved up to the 29er, a two-person skiff. We raced on Hong Kong's national team and at regattas overseas.
Sailing with my sister taught me more about patience than anything else. In a 29er you get about a second to agree on a tack, so you learn to talk less, trust more, and reset quickly after a bad one.
I ran the HKIS sailing club and taught with Sailability Hong Kong, which gets people with disabilities out on the water. For one student I 3D printed a tactile model of a Hansa dinghy so they could learn the boat by touch before taking the helm.
Sailing is also why I study aerospace. Wanting to know why a sail works led me to fluid dynamics, then to a lattice-Boltzmann sail model and an agent that learned to tack, and later to a camber-changing sail on the solar car. The wind tunnel on my home page runs the same kind of sim.
Ceramics
I've worked with clay since I was seven. In high school my portfolio was about the ocean: waves, coral and sea turtles, mostly things I'd seen from a boat or on a dive.
I like the parts of ceramics that feel like engineering, like how clays, glazes and oxides react in the kiln, and shaping a form is a lot like iterating on a CAD model, just with my hands. I also like the part that doesn't. You load the kiln and accept whatever comes out.
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Turtle's Grace
2023Copper clay, slab built, fishnet texture, iron oxide, high-fire glaze · 58 × 49 × 10 cm
Made after visiting a sea turtle conservation site in Bali.
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Tidal Rhythm
2024Porcelain, carved, celadon glaze · 28 × 32 × 1 cm
A carved relief after The Great Wave off Kanagawa, made on a trip to Jingdezhen. The glaze pools in the grooves.
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Rocky Ocean
2023Copper clay, white stoneware, iron oxide, high-fire glaze in five blues · 31 × 26 × 24 cm
A wave breaking on rock, with barnacles and hatchling turtles at the base. I textured the surface with a tree branch.
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Glossed Coral
2023Copper clay, porcelain slip, carved, high-fire glaze, melted glass · 24 × 23 × 12 cm
On a dive I saw coral that looked bleached from the outside but was still alive inside. The melted glass is the inside.
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Coral Transition
2024Copper clay, white stoneware, hand built, iron oxide, high-fire glaze · 22 × 22 × 19 cm
A turtle swims out of a living reef and into a bleached one.
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Natural or Unnatural?
2024Porcelain, hand built and 3D printed, carved · 9 × 12 × 5 cm
Some of these corals are sculpted by hand and some are 3D printed. Try to guess which.
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Single Wave
2023White stoneware, slip, high-fire glaze, melted glass, sand · 29 × 14 × 6 cm
Sand and glass, two things I run into every time I sail, fired into a wave.
If you sail, throw, or want to talk about either, email me.